Books by Patricia Seed

José Limón (1908-1972) was one of the leading figures of modern dance in the twentieth century. Hailed by the New York Times as "the finest male dancer of his time" when the José Limón Dance Company debuted in 1947, Limón was also a renowned choreographer who won two Dance Magazine Awards and a Capezio Dance Award, two of dance's highest honors. In addition to directing his own dance company, Limón served as artistic director of the Lincoln Center's American Dance Theater and also taught choreography at the Juilliard School for many years.

In this volume, scholars and artists from fields as diverse as dance history, art history, Mesoamerican ethnohistory, Mexican American studies, music studies, and Mexican history come together to explore one of José Limón's masterworks, the ballet La Malinche. Offering many points of entry into the dance, they examine La Malinche from various angles, such as Limón's life story and the influence of his Mexican heritage on his work, an analysis of the dance itself, the musical score composed by Norman Lloyd, the visual elements of props and costumes, the history and myth of La Malinche (the indigenous woman who served the Spanish conquistador Hernán Cortés as interpreter and mistress), La Malinche's continuing presence in Mexican American culture, and issues involved in a modern restaging of the dance.

Also included in the book is a DVD written and directed by Patricia Harrington Delaney that presents the ballet in its entirety, accompanied by expert commentary that sets La Malinche within its artistic and historical context.

In her analysis, Seed examines how European countries, primarily England, Spain, and Portugal, differed in their colonization of the Americas. She details how the English appropriated land, while the Spanish and Portuguese attempted to eliminate "barbarous" religious behavior and used indigenous labor to take mineral resources. Ultimately, each approach denied native people distinct aspects of their heritage. Seed argues that their differing effects persist, with natives in former English colonies fighting for land rights, while those in former Spanish and Portuguese colonies fight for human dignity. Seed also demonstrates how these antiquated cultural and legal vocabularies are embedded in our languages, popular cultures, and legal systems, and how they are responsible for current representations and treatment of Native Americans. We cannot, she asserts, simply attribute the exploitation of natives' resources to distant, avaricious colonists but must accept the more disturbing conclusion that it stemmed from convictions that are still endemic in our culture.

Wide-ranging and essential to future discussions of the legacies of colonialism, American Pentimento presents a radical new approach to history, one which uses paradigms from anthropology and literary criticism to emphasize language as the basis of law and culture.

Patricia Seed is professor of history at Rice University.

Public Worlds Series, volume 7