Books by Ian Finseth

Focusing on slave narratives from the Atlantic world of the eighteenth and early nineteenth centuries, this interdisciplinary collection of essays suggests the importance―even the necessity―of looking beyond the iconic and ubiquitous works of Olaudah Equiano, Frederick Douglass, and Harriet Jacobs. In granting sustained critical attention to writers such as Briton Hammon, Omar Ibn Said, Juan Francisco Manzano, Nat Turner, and Venture Smith, among others, this book makes a crucial contribution not only to scholarship on the slave narrative but also to our understanding of early African American and Black Atlantic literature.

The essays explore the social and cultural contexts, the aesthetic and rhetorical techniques, and the political and ideological features of these noncanonical texts. By concentrating on earlier slave narratives not only from the United States but from the Caribbean, South America, and Latin America as well, the volume highlights the inherent transnationality of the genre, illuminating its complex cultural origins and global circulation.

The American Civil War: A Literary and Historical Anthology brings together a wide variety of important writings from the Civil War and Reconstruction eras, including short fiction, poetry, public addresses, memoirs, and essays, accompanied by detailed annotations and concise introductions.

Now in a thoroughly revised second edition, this slimmer volume has been revamped to:

• Emphasize a diversity of perspectives on the war
• Showcase more women writers
• Expand the number of Southern voices
• Feature more soldiers' testimony
• Provide greater historical context.

With selections from Louisa May Alcott, Walt Whitman, Sidney Lanier, Abraham Lincoln, Frederick Douglass, Kate Chopin, and many more, Ian Finseth’s careful arrangement of texts remains an indispensable resource for readers who seek to understand the impact of the Civil War on the culture of the United States. The American Civil War reaffirms the complex role that literature, poetry, and non-fiction played in shaping how the conflict is remembered.

To provide students with additional resources, the anthology is now accompanied by a companion website which you can find at [insert URL]. There you will find additional primary sources, a detailed timeline, and an extensive bibliography, among other materials.

Shades of Green offers a creative reimagining of early and antebellum American literary culture by exploring the complex web of relationships linking racial thought to natural science and natural imagery. The book charts a dynamic shift in both polemical and imaginative literature during the century before the Civil War, as scientific, artistic, and spiritual vocabularies regarding "nature" became increasingly important for authors seeking to mobilize public opinion against slavery or to redefine racial identity. Finseth argues that these vocabularies both liberated and constrained antislavery philosophy and, more broadly, that our understanding of race in early American literature must take the natural world into account. In doing this, Finseth fuses a cultural history of the period with fresh readings of such major figures as Ralph Waldo Emerson, Harriet Beecher Stowe, and Frederick Douglass.

Drawing on a range of theoretical and disciplinary perspectives, including aesthetics, anthropology, phenomenology, and ecocriticism, Shades of Green demonstrates the agility with which human thought about the natural and the racial leapt across formal epistemological, professional, and artistic boundaries. In this innovative account, the politics of race and slavery are shown to have been deeply intertwined with putatively apolitical cultural understandings of the natural world. The book will be of value to scholars in a variety of disciplines, including American studies, African American literary history, and environmental philosophy.

This anthology brings together a wide variety of both well-known and more obscure writing from and about the Civil War, along with supplementary appendices to facilitate its use in courses.

The selections include short fiction, poetry, public addresses, diary entries, song lyrics, and essays from such figures as Walt Whitman, Ambrose Bierce, Stephen Crane, and Louisa May Alcott, as well as Abraham Lincoln, Frederick Douglass, Jefferson Davis, and Ulysses S. Grant. The writing not only includes those directly involved in the war, but also those writing about the war afterward, to include the perspective of historical memory.

This collection makes a perfect addition to any course on Civil War history or literature as well as courses on popular memory.