Books by Vera Kutzinski

The poet Langston Hughes was a tireless world traveler and a prolific translator, editor, and marketer. Translations of his own writings traveled even more widely than he did, earning him adulation throughout Europe, Asia, and especially the Americas. In The Worlds of Langston Hughes, Vera Kutzinski contends that, for writers who are part of the African diaspora, translation is more than just a literary practice: it is a fact of life and a way of thinking. Focusing on Hughes's autobiographies, translations of his poetry, his own translations, and the political lyrics that brought him to the attention of the infamous McCarthy Committee, she shows that translating and being translated―and often mistranslated―are as vital to Hughes's own poetics as they are to understanding the historical network of cultural relations known as literary modernism.

As Kutzinski maps the trajectory of Hughes's writings across Europe and the Americas, we see the remarkable extent to which the translations of his poetry were in conversation with the work of other modernist writers. Kutzinski spotlights cities whose role as meeting places for modernists from all over the world has yet to be fully explored: Madrid, Havana, Buenos Aires, Mexico City, and of course Harlem. The result is a fresh look at Hughes, not as a solitary author who wrote in a single language, but as an international figure at the heart of a global intellectual and artistic formation.

Who was Alexander von Humboldt? Was he really a lone genius? Was he another European apologist for colonialism in the Americas or the father of Latin American independence? Was he a roving Romanticist, or did his sensibilities belong to the Enlightenment?

Naturalist, philosopher, historian, and proto-sociologist--to name just some of the fields to which he contributed--, Humboldt is impossible to contain in a single identity or definition. His voluminous writings range across so many different fields of knowledge that his scholarly-scientific personae multiplied even during his lifetime, and they have continued to proliferate since his death in 1859. A household word throughout the nineteenth century, Humboldt was eventually eclipsed by Charles Darwin (whose own travels had been motivated by Humboldt’s) and disappeared from view for much of the twentieth century, notably in the United States. The essays in this collection testify to the renewed interest that Alexander von Humboldt’s multi-faceted work is inspiring in the twenty-first century, especially among cultural and literary historians from both sides of the Atlantic.

This book was originally published as a special issue of Atlantic Studies.

How and why has Cuba's national identity been cast in terms of a cross-cultural synthesis called mestizaje, and what roles have race, gender, sexuality, and class played in the construction of that synthesis? What specific cultural, political, and economic interests does mestizaje represent? Exploring these and other questions, Vera Kutzinski focuses on images of the mulata in nineteenth- and twentieth-century Cuban poetry, fiction, and visual arts. These images, she argues, are at the heart of Cuba's peculiar form of multiculturalism.

Book by Kutzinski, Professor Vera M.